Grant reprises the part of Daniel with the perfect mix of charm and oiliness.
BRIDGET JONES EDGE OF REASON CAST MOVIE
The only time the movie gains a pulse is when Hugh Grant is on screen. This time around, it would be charitable to call Zellweger's accent "uneven." And, although she gained back the pounds, she lost the knack of the accent. The performance is lazy this may be the least appealing work Zellweger has exhibited in a major role. The Bridget of Bridget Jones' Diary seemed like a real person this one is a caricature. Meanwhile, aside from superficialities (like the weight issue), Zellweger's Bridget Mark II doesn't bear much resemblance to Mark I.
BRIDGET JONES EDGE OF REASON CAST TV
He was delightful in both the Pride and Prejudice TV mini-series and Bridget Jones' Diary, but the intangible is missing. But the problem is, Firth's Darcy charisma is gone. Perhaps it's unfair to call Colin Firth's performance "muted," since one could argue that the whole point of his character is to be dialed down. And, this time, Bridget even gets to kiss another woman. But, never fear, "happily-ever-after" returns to save the day. So, as in the first, Daniel provides the romantic complications that threaten Bridget and Mark's relationship. After Bridget dumps Mark, who should be waiting for her but Daniel Cleaver (Hugh Grant)? It turns out that he wants at least one more night with the girl in the big underpants. Plus, when he says he has a very important question to ask her, it turns out not to be the question (something anyone who watches sit-coms will immediately realize). Darcy is messing around with his co-worker, Rebecca (Jacinda Barrett). Jealousy rears its ugly head, and Bridget is sure her perfect Mr. "Happily-ever-after" lasts about two months, then Bridget (Renée Zellweger) and Mark (Colin Firth) have an unfortunate falling-out. I laughed a lot more during Bridget Jones' Diary than during The Edge of Reason. And the comedy is a couple of notches lower. While the situations seem familiar, the characters (with one exception) are muted echoes of their previous incarnations. The sense of déjà vu is incomplete, however. In order to get viewers back into theaters for the second installment, the filmmakers are forced to replay large chunks of the first movie. Where can a story go from there? As it turns out, nowhere. It told the whole story, and ended with a "happily-ever-after" promise. Bridget Jones in a Thai prison? Who thought up that bit of absurdity?Īrguably, the real problem with The Edge of Reason is that Bridget Jones' Diary was designed as a stand-alone. On those rare occasions when The Edge of Reason isn't regurgitating material from Bridget Jones' Diary, it is taking ill-advised excursions into unfunny slapstick and sappy melodrama. This has the feel of a movie that exists exclusively because its predecessor was a financial success. Sadly, Bridget Jones: The Edge of Reason isn't anywhere close to being that good. Though the third film left fans with a small sense of closure, Zellweger told Us Weekly exclusively in June 2017 that she would happily return to the franchise for a fourth film.Bridget Jones' Diary was an unexpected delight: a witty, enjoyable trifle that touched the heart while tickling the funny bone. The two men, though very different, were portrayed in such a way that fans had a hard time deciding who they truly wanted the heroine to end up with - a concept that worked out well for the film’s two sequels: 2004’s Bridget Jones: The Edge of Reason, and 2016’s Bridget Jones’s Baby.
In the film, audiences watched as Bridget found herself caught between two very handsome men: Colin Firth’s Mark Darcy (whose name was a nod to Austen’s Fitzwilliam Darcy) and Hugh Grant’s Daniel Cleaver. The beloved rom-com, which was released on April 13, 2001, starred Renée Zellweger as the namesake Bridget Jones, a 30-something woman living in London and trying to make sense of her life, her career, her relationships and … everything else.īased on Helen Fielding‘s novel of the same name, the movie also sampled part of its plot from Jane Austen’s Pride and Prejudice. Jones and her friends are just as cool as they were in the early ‘00s. Very busy and important! Bridget Jones’s Diary is turning 20 years old this year, but Ms.
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